A Brief Comment on the Three S s of SI Kong-tu;
略论司空图的“三外”说
We can gain the following enlightenment from decoding the wonderful description of ″Poetry Quality″ written by SI Kong-tu: To create ″magnificent″ state,an author should develop powerful spiritual style,mighty magnanimity and impassioned emotional state;and choose ″bigness″ in space,″permanence″ in time and ″firmness″ in strength.
解读司空图《二十四诗品》中玄妙的描述,我们可以受到启发:在写作中创造"雄浑"的境界,作者应该培养雄健浑厚的精神、恢弘豪壮的气度和激昂狂放的情感,选择"大而强"的物象,在构思中神与物游,进入创作主体与创作对象物我同构的心物和谐状态,创造"至大至刚"的意象或意境等。
The "grandeur and beauty" in Si Kong-tu’s Poetic Styles is characterized by three aesthetic aspects: the aesthetic subjects have grand spiritual quality, great and heroic vision and impassioned emotional trait; the aesthetic realm has the feature of "greatness and firmness"; the subject is harmoniously blended with the objects.
司空图《诗品》中的"雄浑美"有三个方面的审美特征:审美主体具有雄健浑厚的精神品格、恢弘豪壮的精神气魄和激烈高昂的感情特色;审美境界具有"至大至刚"的审美特征;心物关系上,具有物我同构、神与物游、物大我亦大的特征。
On Zen and Artistic Prospect of Si Kongtu s Studies of Twenty-four Poetic Styles;
诗境禅心——司空图《二十四诗品》中的禅与境
Vast Imagination out of Vacancy——On”FewWords to Highest End”Initiated by Si Kongtu;
“空白”之中自有佳境——谈司空图“不著一字,尽得风流”
On Sikong Tu s Literature Thoery and the Influence from the Taoist Thoughts;
简论司空图的文学理论及其所受道家思想的影响
The Achievements and Limits of Sikong Tu s Thoughts on Elegant Poetry;
司空图雅化诗学思想的成就与局限
This is the essence of sikongtu s"shi pin"("poems appreciation")and the core of his poetic theory,which embodies not only in his"shi pin"("poems apperciation")but also in his other poetic theories.
司空图的理想诗境就是"超以象外,得其环中",这是整部《诗品》的实质,是司空图诗歌理论的核心。