The realm of Li Keran s painting reflects as "realm of individual" , a kind of vast, imposing, lofty realm, which is in harmony with the national aesthetic emotion and reflecth the flavor of modern times and the passion of worldliness.
李可染的“有我之境”萌芽于20世纪40年代以前,50年代开始了初步的探索,此时的作品更多的是在“有我之境”中寓“小我”;60——80年代,“有我之境”实现了升华,其“大我之境”最终确立。
If composition teaching is understood from a cultural view, the youngsters growing up in the background of prosperous popular culture lack in the social environment of "wide-self" expression and how could they find a perfect method to express themselves with their "narrow-self"
从文化的角度来解读作文教学 ,在大众文化蓬勃发展背景下成长起来的青少年中 ,本身缺乏“大我”抒发的社会环境 ,那他们的“小我”表达如何才能寻找到合法存在的空间呢