The Comparative Research on the Motif of the Hero and the Courser Born at the Same Time in the Mongolian-Turki Epics;
蒙古——突厥史诗英雄与骏马同时诞生母题的比较研究
The reform of a hero,from collectivism to Individualism:On the image of Li Zicheng in Chexiang Gorge;
英雄的改造:从集体到个人——谈《车厢峡》中的李自成形象
A View of the Integrant Parts in Domestic Blockbusters’ core competitiveness——As Hero for Example;
国产大片核心竞争力构成要素样本分析——以《英雄》为例
Research on the Motif of the Legend of Mongolian Toponym——Heroes Come from the Good Landscape Geomancy;
科尔沁地名传说中的英雄与故乡——“风水宝地出英雄”母题探讨
On the System Factors of the Tragedy of Heroes Taking up the Cudgels for Justice;
对“英雄流血又流泪”现象的体制性反思
In terms of traditional and modern culture,Jin Yong portrayed"heroes" and"chivalrous men" in his fiction,so as to meet readers psychological and spiritual needs.
金庸依据传统文化思想和现代文化观念,创造了“英雄”与“大侠”的人格形象,满足了现代读者的精神渴望和心理需求。
Heroes: Metaphor of Power in Reconstruction of Qin s Assassination;
《英雄》:“刺秦”重构的权力隐喻
The Heterodox Heroes in the Movie Heroes;
影像里传达出的另类——对电影《英雄》的解读
Art Thinking about Chivalous Film Hero;
对武侠电影《英雄》的艺术反思
Subtitles Translation of Film Hero: A Perspective of Context Adaptation Theory;
从语境顺应论视角看影片《英雄》的字幕翻译
An Analysis of the Subtitle Translation of Hero from the Perspective of Skopostheorie;
从目的论角度看电影《英雄》的字幕翻译
This paper expounds his unique "post-revolutionary Narration" features in his literary works in terms of hunger,collective,hero and love.
本文以饥饿、集体、英雄与爱为视角,阐述严歌苓作品独特的"后革命叙事"特征。