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Chinese painting and calligraphy

基本解释中国书画

网络释义

1)Chinese painting and calligraphy,中国书画2)Chinese painting,中国书画3)Chinese Calligraphy and Painting,中国书画报4)Chinese painting and calligraphy arts,中国书画艺术5)The Application of Chinese Painting and Calligraphy,中国传统书画6)Chinese Paintings and Calligraphy identification,中国书画鉴定

用法和例句

This paper presents a survey on Chinese painting and calligraphy simulation.

综述了中国书画的计算机模拟绘制方法,讨论了中国书画的特点和建模、绘制方面的要求。

The art of Chinese painting and calligraphy is full of ancient origin and long development.

中国的书画艺术源远流长,创作者“自我意识”的宣泄是促使书法和绘画本身成为独立的审美形式的主要因素,“自我意识”给中国书画艺术品灌注了丰富多彩的形式和鲜明的个人风格,正因为它的驱使让书画家们通过不同形式表达出不同的情感,使之内心精神世界得到释放。

through which we further grasped the art pecurity of Chinese painting and calligraphy and creationessence.

通过分析在宣纸和瓷坯上进行书画构图创作时的特异性,使我们对中国书画的艺术特性及创作精髓有更深一步的把握。

As is well known, the starch paste has long been important for mounting Chinese painting and calligraphy and for use to stiffening paper.

中国书画传统装裱工艺中,在揭裱旧画画心遇到原托纸和画心粘得很牢固时,要用热水闷,烫使浆溶解,分离,然后用手指边捻,边搓,边揭。

The Foxing (yellow brown) spots always appear on Chinese paintings made of Xuan zhi(a special Chinese traditional handmade paper).

中国书画所用的宣纸上常常会出现黄褐色的斑点“狐斑”。

Reference and creation: discussing the application of traditional Chinese painting line-skill in fountain pen painting;

借鉴与创造——论中国书画线条在钢笔画中的应用

Self in the Nature--On the Self-Consciousness in the Chinese Painting and Calligraphy;

有我之自然——论中国书画中的自我意识

The Usage of the Aesthetic Spirit of Chinese Painting and Calligraphy in Modern Book Design

中国书画的美学精神在现代书籍装帧中的运用

The collection includes Chinese Fine Art, Chinese Antiquities, Historical Pictures, Hong Kong Art, KS Lo Collection of Teawares and Seals, and Xubaizhai Collection of Chinese Painting and Calligraphy.

收藏品包括中国书画、国古代文物、史绘画、港艺术、桂祥藏茶具及印章和虚白斋藏中国书画

With Chinese paintings and calligraphic pieces, you can Beautify your life.

家有中国书画,美化你的生活。

THE STUEY ON THE PECULIAR OF CHINESE PAINTING AND CALLIGRAPHY--FROM XUAN PAPER TO PORCELAIN BODY;

从宣纸到瓷坯——中国书画特异性研究

Modern Reformation in Chinese Calligraphy and Painting in the Late Qing Dyanasty and Early Republic of China;

清末民初中国书画的现代化转型初探

FORMATION AND AESTHETIC IDEA OF THE SIDE CALLIGRAPHY IN CHINESE PAINTING AND CALLIGRAPHY;

中国书画作品边款的形成与美学意蕴

Key Components in the History of Chinese Painting and Literature--Interpretation of ZHENG Ban-qiao s Paintings and Poems;

中国书画史和文学史上的浓墨重彩之笔——郑板桥书画诗文解读

Application and Innovation of Chinese Handwriting and Painting on Packing and Designing;

中国书画艺术在包装设计中的运用与创新

Method for Extracting Chinese Seal Image in Chinese Painting and Calligraphy Automatically

一种自动提取中国书画作品中印章图像的方法

Harmony between Inscription Calligrphy and Artistic Conception in Chinese Painting

论中国画题款书法与画面意境的和谐

Uncovering Calligraphy and Painting Forgery--Study on Calligraphy and Painting Forgery in the Song Dynasty (Ⅲ)

中国古代书画作伪揭秘——宋代书画作伪研究之三

Chi's Logical Development of Literature And Art Theory in Ancient Chian

中国古代书画领域中"气"论的逻辑演进

Calligraphy Complex in Chinese Design Culture;

中国设计文化中的书画艺术表现情结

Ancient Chinese Poem and Painting Have No Absolute Position on Neither Orthodox School Nor Orthaodox Tradition--On Reading Qian Zhongshu s Chinese Poems and Chinese Paintings;

中国旧诗画没有正宗、正统的绝对地位——读钱钟书《中国诗与中国画》

Historical Data Literature Value of"Inscription in Picture"During Chinese Ancient;

中国古代“题画书迹”的史料文献价值

Textual Researcher Tong Shuye’s Study on the Chinese Painting History

考据学人童书业的中国绘画史论研究

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