Aspects of Modernism Maison Dom-lno and the Self-Referential Sign;
现代主义的角度 多米诺住宅和自我指涉符号
Image and Sign of Sugiura Kohei s Magazine Design;
杉浦康平杂志设计中的图像和符号
Reconstruction of Traditional Chinese Cultural Sign in Product Design;
论中国传统文化符号在产品设计中的重构
On The Ming Dynasty Style Furniture Decoration Mark and The Utilization;
明式家具装饰符号及运用初探
Preliminary Study About Foundation Sports Vision Mark New Discipline Theory System;
关于创建体育视觉符号新学科理论体系的初步研究
Brief Talk about Mark Gene and Brand Spread;
浅谈符号基因与品牌传播
Classification of cultural symbols in African batik patterns;
非洲蜡染图案中的文化符号分类
Topological Analysis on the Symbol Factors of the Brick House Designed by Mies;
密斯砖宅另解之符号因子的拓扑解码
The Cross-culture Diffusion of Symbols in Ads;
浅论符号在广告中的跨文化传播
The Connotation of Arbitrariness of Linguistic Symbols;
试论语言符号的任意性内涵
A Study on the Application of Chinese Traditional Cultural Symbols in Architectural Design;
中国传统文化符号在建筑设计中的应用研究
This paper proposes that the designer should exactly make use of its applied signs and interaction influenced by them and should make sure that these signs appropriately express the designer s designing idea.
平面设计是利用平面媒体传达信息为目的的 ,设计者应准确把握住它应用的符号和影响方法上的互动 ,保证这些符号恰如其分地表述设计者的设计理
This paper probes into the way and the character of creation of spatial visual relationship from the factors as follows: specific signs, proper material, light and color and inner displays.
从特定形式符号 ,适宜材料的应用 ,光与色以及内部陈设的考虑等几方面因素的分析 ,探讨了建筑空间视觉关联创造的方法特征 ,指出了这种特定空间意义的关联要通过对特定的空间造型因素进行相关的视觉刺激来完
By conducting researches on the pattern signs of Large quantities of colored crockery and utensils in New Stone Age, the underlying conno.
本文作者从《周髀》一书中“数之法出于圆方”的提法获得启示 ,通过对新石器时代大量彩陶等日用器皿上花纹符号的研究 ,发现了其中蕴藏的数理内涵及其规律 ,使中国古代关于数的起源的传说在彩陶花纹的组合形式中得到验证 ,从而得出数的起源正是在对日月往来观测认识的记录中、在“超以象外”的理性升华中产生的这一重要结